MASSIMO VITALI. COSTELLAZIONI UMANE

The exhibition includes about 30 works chosen from the artist’s twenty-five years of production; the artist’s work aesthetically draws on the history of art and not only on that of photography.
Italian by origin, Anglo-Saxon by education, and with an international vision and attentive to the evolution of avant-garde research between the last century and the present one, the artist appears as a photographer inclined to leave no traces in his works of moments linked to identifiable historical facts: his extremely frozen and crystallized world appears to be suspended in a still cinematographic image; there are never details identifiable with current historical facts except for the titles that sometimes refer to crowded gatherings or evenings of fun in a disco.